meditations

[ s t o n e ]

mandala even danced

symmetrical (as they are) 15 minutes

contemplation shapes emerge?

funny (imbedded character)

cut from stone.

[ c i r c l e ]

abstract designs

completely

i like to (do) completely

medium sized circle.

[ m i n d f u l n e s s ]

simple way to bring

usually absorbed

legs

focusing on the sensations

around with us (don't look)

mindfulness

[ i t s e l f ] for Tuija

involves intentionally

breathing

in front of (you)

through

itself

[ e x p e r i e n c e ]

the

(of)

one

way

attention to actual

experience

yellow upon blue

studY

studiEs

Loose

Late

nOticed,

neW

casUal Passing tO passiNg

feBrile surreaLism oUter spacE.

waY outsidE reLigious Language tO When

Pierce

thrOugh

geNeration

Both. shaLlow refUses dEpth

theY amErica Left cavaLier cOmmand While

rUins. Past tOward post-iNdustrial

suBject

heLped

oUtside

crEate

III

awaY

purE

pLasticity

subLime's

cOsmic

Where

coUld sPecial dO Not

Building pLace sUmmer's thE

memorY,

pEople

fLoor,

incLude

museum-gOers

intertWined

Upon Place, fOr iN

Blossomed Late, continUed dEvelop

intensifY,

thE

stiLl

deaL

clOuded

neW

qUotes Pierce thrOugh geNeration

Both. shaLlow refUses dEpth

theY strEtch earLy coLors lOok loWer

Permanent

cOllection

americaN

Barely miLe restaUrant. thEy

awaY. thEse hoLd paLpable Of tWisted

throUgh

Press

One

Near

Back Lectures woUld havE

laYering pEnetrated Like aLl glOry Without

sUblime retrosPective lOoks beyoNd

suBlime

hoLd

onlY

Either,

spread-eagLed

necessariLy

With

satUrated develoPs, cOlor. iN

draB accompLish mUch. takEs

****** Generated by MESO7, a computer program written by author.

more

as difference & pigeons & length

or there for separation

as there for never

or ribbon or smell as resumed as hold

as lovely or there

or stern for success as tea & which

or specialties & thin

& occasion as thing or there as outrage

e everym meanh heat

t that

w whichl light

wh henre egulation

as straNge foR tUrn FoR that & obtRusiVE

or diFference

& kinD for tHat

or certainLy & spaCes for reduced & which

for whole

OR everything & cutting or kInd

for tenDing

fOR SterN for certAinly as Control & weak

sma all,sod dden

do oest thisthe ere

e everything

C Consideringci ircumstancesp principalr reasonable se ection

For pEriod & that or oCcASion

fOr whAt or differeNcE foR considEring fOr consIderiNg

as stranGe & there as sPecIALTieS

or altERation

for THEre Or consiDeRing

& theRE

as thAt aS teNdING

& ALterAtiOn

t there

ed ducation

for nEcessIty As CoNsIderinG & consiDerIng & ObliGAtion

oR There & tHere

& reSTraInT

as everyTHing

for peAling & COnsideriNg for paRTIClE oR conSideRINg

FOr evErYThinG

For whiCh as what

aS ConsiDeRInG

d deliberation co onsideringp pealingco onsidering

ne ecessityt there

o occasiond deliberation

th heree everything

& tHeRe for oCcasiON oR prepARAtiON

oR CiRcuMSTANcES OR obliGatIoN

As oCCAsiON Or oCCasiOn & OUtraGe

AS redUction aS pREPaRaTION or tHAt & tHat

& cOnsiDeRing & CONsiDERING As therE For peALiNg

FoR ouTrAGE & ReDucTion, As ConSIDERing aS That

FOr OccAsIon oR oCcaSioN As PeaLing Or obLigation

& rEDUCtion FOr ocCAsiOn FOR PRepaRAtIon aS OCcaSION

t therecon nsidering

Consi ideringcircu umstancesCons sideringnece essity

pre eparation the eretha att thatn necessity

consi ideringt thereCon nsideringthere eoutr rage

oR THErE AS PEaLING OR thERe OR therE

As There & COnSIDerING

FOR coNSidERINg AS THErE & cONsIDERiNg OR there

& CONsidERiNG

& THERe Or ocCASION & There

& tHERE

For PEaLInG As oCcASiON AS CircuMsTAncES AS cIRcuMStANCES

AS oCCasIon

& CiRcUmSTANCEs AS ThERE

& CONSIDERINg & ConsIDerInG AS OCCASiON

FOR OcCaSION AS cIRCUMSTANcES AS REDUCTION, OR cONSiDERING

As CONsIDeRINg

as OCCASION Or THERE

OR THeRe OR OcCAsiON & CONSIDeRING

OR cOnsIDERINg FOR REDUCTION & OCcaSION OR CiRCuMsTAncES

FoR CONSIDERInG

occa asionC Consideringthere e

red duction circu umstances

& CIRCUMSTANCES & CONSIDERING

FoR CIRCUMSTANCES AS CONSIDERING & CONSIDeRING

OR CIRCUmSTaNCES & CIrCUMSTANCEs

FOR cIRCUMSTANCES

AS COnSIDERING & CIRCUMSTANCES FOR CIRCUMSTANCES OR COnSIDERING

AS cONSIDERING & CIRCUmSTANCEs AS CONSIDERING

& CIrCUMSTANCES

& CIRcUMSTANCeS & CONSIDERING & CIRCUMSTANcES

Consi ideringci ircumstancesCo onsideringc circumstances

cir rcumstancesCo onsideringCons sidering

circum mstancesC Consideringcir rcumstancesCo onsidering

Consid deringC ConsideringC ConsideringConsid dering

FOR CONSIDERING OR CONSIDERING OR CONSIDERING

OR CONSIDERING

& CONSIDERING

AS CONSIDERING

AS CONSIDERING FOR CONSIDERING

OR CONSIDERING FOR CONSIDERING AS CONSIDERING OR CONSIDERING

FOR CONSIDERING OR CONSIDERING OR CONSIDERING

& CONSIDERING OR CONSIDERING AS CONSIDERING

Consi idering

****** The poem was written using a computer program made by author.
The sourcetext used is Gertrude Stein's "Food" from Tender Buttons (1914).
The program chooses stochastically words from the vocabulary of a text and adds
some words made beforehand. In a course of poem the vocabulary is substacted
until only one word is left. The output is the unedited version; some minor modifications
of the source text have been made by author.